How I Warm Up: Tricks to get the practice going!
With Guy Johnston
Sunday 1st December 2024 @ 5.00 pm
Join us in welcoming home Guy Johnston who has just moved back to the U.K. after a six-year teaching post at the Eastman School of Music. We are delighted he’s on our side of the Pond once again. Guy will share the fruits of his harvest on the subject of warming up and setting out his practice. Whether you’re a lark ( early morning practice ) or an owl (you love starting once everyone else is asleep) you’ll find something rewarding here. You are invited to play along and to ask questions.
Accidents or Accidentals? The Pitfalls of Popper Etude No. 6
With Jennifer Langridge and Teresa De Oliveira, RNCM
Sunday 8th December 2024 @ 5.00 pm
From our Manchester Hub
LCS member and first-year student at the Royal Northern College of Music, Teresa de Oliveira, collaborates with her teacher Jennifer Langridge on this exploration of Popper Etude No. 6 from the High School of Cello Playing, which provides ample opportunities to examine specific challenges also present generally throughout Popper’s works.
Learning from the State of Flow
With Joshua Lynch
Sunday 12th January 2025
From our Cambridge Hub
Aiming for precision, often fuelled by perfectionism, can lead to one-mindedness and tension in our playing. Learning from the state of flow through incorporating improvisation and child-like play in our practice can open cognitive pathways, helping us to become more aware of movement and sound production, and encourage spontaneity. We become better informed about our approach to learning repertoire and our overall playing.
In this talk, I will be using excerpts from the Cassado Solo Suite to demonstrate how including these elements in practice can liberate the body and mind, whilst exploring how we learn.
Simply ŠEVČÍK: The Route to a Royal Bow Arm
With Selma Gokcen & Josh Salter
Sunday 26th January to Sunday 22nd June 2025
A nine-part series of episodes short enough for a cuppa and a slice of cake!
Otokar Ševčík is a name synonymous with violin technique in the 19th century, a prominent pedagogue who taught in Bohemia, Russia, England and the United States and produced a long line of illustrious pupils. Feuillard transcribed his 40 Variations, op 3 for the cello, cleverly recognising what we cellists could steal from violinists to our benefit—exercises for a masterful control of the bow, necessary to great string playing. The bow is our tongue, our organ of speech, as Pierre Fournier used to say. So we hope you’ll come on board not only for the spiccato and the jeté but for a flavour of how these exercises can form the foundation of your cello playing.
Selma and Josh collaborated on their own edition during the pandemic to create something easy to read, enjoyable and with clear fingerings.
They will give demonstrations and everyone is welcome to join in. Roll up your sleeves and play along! Each session will last 15-20 minutes and a PDF of our new edition will be supplied free of charge to all participants.